Sue Foley’s Canadian Roots Loud and Clear With Austin’s Legendary Scene
Written by: Emily Plunkett, courtesy of Canadian Beats

The world of the Austin blues scene is a supportive, fertile place for all players of all stripe. After years of offering support to some of the top players from her hometown of Ottawa to the Texas state capitol, Sue Foley returned in 2018 with her first solo album, The Ice Queen; and brought some of her favourite players and people with her for the ride.

“[Producer Mike Flanagan] is an old dear friend of mine. We go back forever. He plays with Billy Gibbons, he plays with Jimmy Vaughan,” said Foley, speaking to Canadian Beats as she visited London to celebrate her 2019 Juno Award nomination. “He’s really embedded into the Austin music scene and specifically the Austin blues scene.”

In addition to ZZ Top guitarist and celebrated Fabulous Thunderbirds guitarist, Foley is also joined on The Ice Queen by Jimmy Vaughan drummer, George Rains, and Austin guitarist, Derek O’Brien.

Although based in Austin, and Foley is well supported by a rich live music scene, Foley speaks fondly of her upbringing in within the Ottawa blues scene and her Canadian roots; all of which played an important role in her development as an artist. She says artists like MonkeyJunk’s Tony D provided education into her playing, and the Ottawa Blues Festival, which is now known as RBC’s Ottawa Bluesfest would not exist if the particular vibe wasn’t present. Even the title of her album, The Ice Queen, stems from her upbringing in the snowy Canadian north.

“Even though the album was recorded in Austin and I’m pretty well known as a Texas based blues musician, but The Ice Queen was also definitely a tip of the hat to being Canadian and Canadian woman.”

Foley continues to make her mark in the blues world touring in Europe.

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About the Author – Emily Plunkett
Born and raised with thoughts and aspirations of becoming a famous bassist in Sarnia, ON; Emily Plunkett now lives in Gatineau, QC, and considers National Capital Region home sweet home. A product of the Beatles, MuchMusic and the Southwestern Ontario summer festival circuit (circa 2000), her interest and love in concert photography came almost completely by accident when her journalism program at Algonquin College required courses in photojournalism (and she quickly realized that photos taken at concerts using a DSLR are enormously better than ones she was taking on a point-and-shoot she bought for a trip to England). She is extremely proud of the fact she has seen Sloan in some form or another 25 times.

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